尚未離開
Stay
攝影、錄像、行動｜後寮中壢運動公園開發區段、Hiro Hiro Art Space
20年末走進了中壢後寮，也不曉得什麼叫作田野，只是看到切分格線就要劃過綿密一如掌紋的地方以及拔除門窗的家屋，才剛打過招呼，就面臨說再見的景況。於是，一直都不是忘記和離開的問題，而是不相關的自己如何留下的回應，在一個就要消失的地方、在一個起始什麼也認不得的地方，疫情隔離的幾個月份以後再相見，綠色工地圍牆描繪的一種未來，已運用拆除及開挖的方法，讓認得的路都不見了，而進入總是遇到了阻擋。
以破壞及過度調色製作的「不完美影像」，表示不是當事人的身份與進入後寮時已無法改變現況的錯時，以感性的創作手法進場，做出情感和記憶能安放的空間，賭在不完美的散落仍然能是聚集的線索，而至今也沒打算忘記後寮的輪廓，為尚未離開而可能的顯像。
photography, video art, performance｜Houliao, Zhongli Sports Park Development Zone, Hiro Hiro Art Space (site-specific project)
I walked into Zhongli Houliao at the end of 2020, It is also my first fieldwork research experience. I saw that the dividing grid line would cross the palm-printed place and the house where the doors and windows were removed. I just met this place at the time but faced the situation that it was about to disappear.
Therefore, it has always been not a question of forgetting and leaving, but a question of how to stay and respond in a place that is about to disappear, in a place where nothing can be recognized when I first encounter.
After months of quarantine due to the epidemic, a kind of future described by the construction site wall, has used the methods of demolition and excavation, so that the recognized road is gone, and the entry is always blocked.
The "imperfect image" produced with destruction and excessive toning means that it is not the identity of the resident and the time when the current situation cannot be changed when entering Houliao. Enter the scene with perceptual creative techniques to create a space where emotions and memories can be placed. The imperfect scattering can still be a clue to the gathering, and so far I have no intention of forgetting the silhouette of the Houliao, the possible visualization for not leaving.
行動、錄像
攝影｜郝渂心
剪輯｜邱靖婷
行動日期｜2021 / 11 / 21
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貼海報 stick the poster
行動
攝影｜郝渂心
行動日期｜2022 / 1 / 24
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致謝 Credits｜
高俊宏老師、潘娉玉老師、王正祥、巫清彥大哥、台大攝影社
關注事件 Related Event Page｜
中壢地埤聚場
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展覽攝影 Exhibition Photographer｜
許哲維、邱靖婷
《平行拉鋸》展覽
“Undulation” Exhibition
貼風景 post the scenery
貼海報 stick the poster